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Old 2 Nov 2014, 20:35 (Ref:3470917)   #1
medius
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medius should be qualifying in the top 5 on the gridmedius should be qualifying in the top 5 on the grid
Photography from public areas

Curious question and I'd like to know your thoughts.

I've been taking photos from spectator areas for a couple of years now, and getting to the point where drivers/friends and family of the competitors think they are worth selling. So I have a page setup on Facebook which I put low-res watermarked images up with a caption saying that if you want better resolution ones, without a watermark, to get in touch. I don't sell the images I take, I just let people tag and share them.

Is this ''right'', considering the risks taken by the professional photographers to be on the dangerous side of the fence to do a similar job? I have seen a lot of professional photographers' websites who are ''attached'' to various championships (not mentioning names), how are they allowed to sell images from race meetings when they are shooting from a certain perspective i.e. media for a website/championship etc?

Secondly, same situation where I pop along to a trackday and do the same thing (its free to get in and you can get a lot of practice in during open pitlane days), and the photographer employed by the TD company isn't happy that I'm (in his words) "taking away his business" by being there, taking my own photos from the spectator areas. Is he ''right'' that I'm taking his business?

I am working towards gaining media accreditation in the next couple of years by working with a racing club, supplying images for their club magazine where I can and building a body of published work, so its not like I'm some Billy with a Bridge camera looking to make a quick quid as I'm not selling the photos.

Genuinely curious and quite concerned as its an angle I've never thought of until now.

Last edited by medius; 2 Nov 2014 at 21:04.
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Old 2 Nov 2014, 21:21 (Ref:3470929)   #2
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Uuuuh... Just ignore that nonsense. If anyone has a problem with you getting some monies for your work, let them step up their game. This is no turf war. You have nothing to worry about. The only damage you can do, any photographer can do, is by giving your work away for free. That has been going on for a while now at the Nürburgring and is the reason why most teams don't pay, some even just stealing photographs because there will always be some ****** who will give them photos for free.
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Old 2 Nov 2014, 21:21 (Ref:3470930)   #3
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Also, show me your work yo!
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Old 2 Nov 2014, 21:24 (Ref:3470931)   #4
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Quoted from the terms and conditions on the back of Silverstone's tickets (essentially the same T&Cs as for all circuits)...
04: you must note create, store, record or transmit any kind of sound recording/visual footage/audio-visual footage/information/other data...Still image cameras and telephones are permitted provided that any image, film, recording or data created , recorded or stored thereon is used for personal, private or non-commercial purposes.
05: You assign copyright in any image/film/recording you make at the event to SCL and agree that such image/film/recording shall not be used for advertisement, commercial gain or any other purpose (except private enjoyment) without SCL's prior written consent.
(SCL being Silverstone Circuits Limited)

So basically - no you can't.
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Old 5 Nov 2014, 12:40 (Ref:3471800)   #5
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there's no harm in taking the photos, and sharing them for private enjoyment - whether that private is between friends on facebook or twitter, who's to say? and if your friends happen to be competitors... i don't see how that would be against the regulations on the back of the ticket.

as long as you don't take payment for the images it's fine morally, imo. or supply them on a regular basis to an individual competitor. in that case you really would be taking revenue away from a pro photographer.

as for the trackday guy getting arsey, i think from his point of view it's valid unless he knows what you do with them. in that situation i'd probably say it's unfair to give the images to those taking part at least in the short to mid-term because more than likely they'd have given him money instead of take them off you for nothing.
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Old 5 Nov 2014, 13:31 (Ref:3471812)   #6
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as long as you don't take payment for the images it's fine morally, imo. or supply them on a regular basis to an individual competitor. in that case you really would be taking revenue away from a pro photographer.
Isn't that just protectionism? If a ordinary joe can produce better photographs than a professional shouldn't he be allowed to do so?

It is not so much about general copyright law as restrictive access covenants attached to circuit entry.

The law on copyright is supposed to protect creative or intellectual property, not the visual qualities of land / circuits. For example if I take a picture of a mountain in the Lake District, I wouldn't have to ask permission of the landowner providing I could access the view from a public place.
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Old 6 Nov 2014, 11:47 (Ref:3472199)   #7
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Isn't that just protectionism? If a ordinary joe can produce better photographs than a professional shouldn't he be allowed to do so?
i don't think it is protectionism, no. not when there's a clear framework of accreditation. that's there for multiple reasons.
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Old 12 Nov 2014, 02:32 (Ref:3473805)   #8
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I have been photographing for a local kart circuit this past year or two, I supply them with a set of photos for their website at the end of their monthly event, in addition I also send a set to the local online sports news, in return for this I am allowed to sell images to competitors.
However I find it hard to sell due to others giving their images away free on Facebook/Flickr, I'm not sure why folk do this when some take over 400+ images that they then upload (which frankly must take up a lot of their spare time editing ? ) for no return. The majority of the shots are garbage and really give photographers a bad name and yet they advertise them as being 'free downloads' and 'no copyright to worry about'. It is bad enough having competitors who expect free shots, some even message me asking 'Can you send me my pictures'. If it isn't that then they copy them, even with a big watermark through the shot and then use them as their profile pictures .

Like the Op I am eventually aiming to apply for media accreditation at car events, this when I have gained enough experience trackside, as I would want to do a damn good job, but I know I am never going to profit much from it, in the end it's just a hobby isn't it ?
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Old 12 Nov 2014, 16:30 (Ref:3473973)   #9
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However I find it hard to sell due to others giving their images away free on Facebook/Flickr
You're not alone in this - I suspect the same is true for most 'pro' photographers.

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...some take over 400+ images that they then upload (which frankly must take up a lot of their spare time editing ? ) for no return. The majority of the shots are garbage
Agreed - some people just seem to dump the entire contents of their memory card onto flickr or wherever without any sort of quality control at all. I often buy images of events we've done - but again that does depend on what I'm getting and at what price. For example - I'm not interested in buying a print, I want a decent sized digital image - but not at a ridiculous price. To be fair most of the time a deal can be made that works for both parties but some photographers do seem to ask ludicrous prices for their images - and in those cases people will look for alternatives (even if the quality takes a bit of a hit).
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Old 13 Nov 2014, 09:36 (Ref:3474178)   #10
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Photography is one of those areas where there is a very blurred line between a job and a hobby. Often people are happy just to see their pictures used or "liked" on Facebook etc. Certainly I was when I was starting out. But, if you want to make a viable business from it you sometimes have to decide between what is fun to shoot, and what pays your mortgage.

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I have been photographing for a local kart circuit this past year or two, I supply them with a set of photos for their website at the end of their monthly event, in addition I also send a set to the local online sports news, in return for this I am allowed to sell images to competitors.
However I find it hard to sell due to others giving their images away free on Facebook/Flickr, I'm not sure why folk do this when some take over 400+ images that they then upload (which frankly must take up a lot of their spare time editing ? ) for no return. The majority of the shots are garbage and really give photographers a bad name and yet they advertise them as being 'free downloads' and 'no copyright to worry about'. It is bad enough having competitors who expect free shots, some even message me asking 'Can you send me my pictures'. If it isn't that then they copy them, even with a big watermark through the shot and then use them as their profile pictures .

Like the Op I am eventually aiming to apply for media accreditation at car events, this when I have gained enough experience trackside, as I would want to do a damn good job, but I know I am never going to profit much from it, in the end it's just a hobby isn't it ?
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Old 5 Nov 2014, 14:33 (Ref:3471828)   #11
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Thanks for the input, all taken on board. Slightly different train of thought, if I was commissioned by a competitor to take photos solely of him or her on a trackday or race meeting, would I need permission from the venue if its a race meeting, or both venue and trackday organiser?
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Old 5 Nov 2014, 15:19 (Ref:3471849)   #12
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For example if I take a picture of a mountain in the Lake District, I wouldn't have to ask permission of the landowner providing I could access the view from a public place.
True - but a circuit isn't a public place, it's private property that you have been granted access to based on a number of conditions (such as not being able to sell photos).

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Thanks for the input, all taken on board. Slightly different train of thought, if I was commissioned by a competitor to take photos solely of him or her on a trackday or race meeting, would I need permission from the venue if its a race meeting, or both venue and trackday organiser?
In theory yes - if you're getting any sort of financial reward then you need the circuits permission.
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Old 5 Nov 2014, 15:39 (Ref:3471860)   #13
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Thanks for the input, all taken on board. Slightly different train of thought, if I was commissioned by a competitor to take photos solely of him or her on a trackday or race meeting, would I need permission from the venue if its a race meeting, or both venue and trackday organiser?
It doesn't matter whether it's a race or track day, you will be taking photos depicting private property, so if you are commercially exploiting them - i.e. licensing them in return for payment - then you will need a property release from the property owner.
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Old 5 Nov 2014, 15:33 (Ref:3471857)   #14
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Guys, as some have alluded to above, the commercial exploitation of images that you've taken isn't as straightforward as you might think. There are two key elements that you need to secure before you can license your image - a model release(s) [where the image contains recognizable people] and property release(s) [where the image depicts private property]. Depending on the level of exposure, there may also be issues with certain objects in your photo - e.g. Apple have problems with their logo appearing in certain situations and Getty Images were in litigation with Le Corbusier over the appearance of one of their designs in a commercially used photo.

It's nothing to do with moral issues - it's actually a legal matter - and you run the risk of a lawsuit if you haven't got these elements sorted out BEFORE you promote or license your photography.
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Old 13 Nov 2014, 11:22 (Ref:3474206)   #15
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that's a good point about the rights to an image changing now we're in digital not film times. i would expect, for example, a team or driver not to make the hi res image available for download, but to use a not-silly sized version on their website/facebook/twitter/instagram accounts. but i would equally accept that it would be on the internet in many places without a credit, and i can see how that would be perhaps an issue too. perhaps sometimes people are more used to selling an image several times over rather than once.

regarding pricing, i can think of two different photographers and styles that i've come across. one is the two digit fee per weekend for a cd of photos of you that the photographer admits are just documenting your participation, not with any particular artistic merit. the other end of the spectrum is the guy who was with a pr company who charged a few times more than that per weekend, but produced actual bonafide art because he was a photographer first, and a motorsports photographer second. neither really trod on each others toes.

and the treading on others toes bit is the part that some amateur photographers don't necessarily get their heads around, especially if they're not really intending to pay the mortgage with it like mike says.
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Old 28 Nov 2014, 10:03 (Ref:3479535)   #16
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i get completely what you're saying and you're on completely sound ground, but equally, if there's no market for what you're offering then you don't have a business. it's really as simple as that unfortunately. you either have to reduce your price and increase it gradually as you gain respect and loyal customers, or walk away from doing motorsport full time and do something else to pay the bills.

it's an annoying situation, and i do really agree with you completely. but my business common sense says that such an attitude does not fly in a competitive market.
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Old 28 Nov 2014, 17:54 (Ref:3479644)   #17
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but my business common sense says that such an attitude does not fly in a competitive market.
The problem with that competitive market is that it has destroyed the business. Not talking about track day photogs selling prints either. Top name guys - names you would know from tbe magazines - are talking about this and about getting out of the business completely. These aren't guys who need to consider ways to be more competitive. These guys are artists and there is nothing wrong with their product. Unfortunately there is a certain minimum needed to cover expenses and a reasonable profit and that number can't be met any more.
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